Graphéine supports brands that are keen to make design a driver of social and economic transformation, helping them meet the challenges of tomorrow.
We believe that a brand is a powerful tool for creating fresh narratives, uniting imaginations and shaping desirable futures.
From the Greek hapax, meaning ‘occurring only once’. apax is the new name for A+A architects, and a promise of architecture that never exists above ground.
A clever visual identity that breaks with convention in the video production sector.
New visual identity for VCLS (Voisin Consulting Life Sciences), a key player in HealthTech and biotechnology.
A festive and contemporary identity that showcases the rich history and culture of the Château and the Domaine de Sceaux.
An event identity that combines the refined, high-end aesthetics of the Monin brand with the competitive spirit of major culinary shows.
Creation of a graphic system for the German Embassy’s social media accounts, combining institutional rigor with a celebration of Franco-German ties.
Making brand design a driver of social and economic transformation to meet the challenges of tomorrow.
For 25 years, in Paris and Lyon, our designers—each with scintillating educational backgrounds, diverse professional paths, who share a common passion for imagery—are here to accompany you in creating the best brand strategies and designs.
Our goal is to make your brand visible, legible and desirable. To achieve this, we are eager to understand complexity, craft simple strategies and come up with original, agile and sustainable solutions.
On Thursday, February 5, we celebrated Graphéine’s 25th anniversary at the Campus de la Fonderie de l’Image in Bagnolet.
Fonderie Club session with Jérémie Fesson, creative director and co-founder of the Graphéine agency, devoted to a highly topical subject: custom typography.
SémioLogika, a new approach to semiological study in a series of lectures that will decipher contemporary advertising.
In La Survivance / The Temptation of the Gaze, François Chevret presents an in-depth interview with Graphéine. Jérémie Fesson and Mathias Rabiot trace the evolution of the collective into a committed brand design agency, guided by ethics, pedagogy, and brand strategy.
In September 1951, René Brantonne began a collaboration with the publishing house Fleuve Noir that was to last more than 20 years (from 1951 to 1965), working on the legendary “Anticipation” series, for which he created 273 original covers.
It is a cult classic, ahead of its time. For some, Jacques Massacrier’s “Savoir Revivre” was nothing short of a ‘bible’.
The first edition, published in 1973, was a literary phenomenon, selling over 500,000 copies and being translated into twelve languages. It was a book that captivated an entire generation.
Paul Vacca analyzes the evolution of brands: the disappearance of the claim, new strategies, fluid identities, and the concept of a “habitable world.”
For a long time, Paris did not have a specific space for exhibiting graphic design. It was not until the turn of the 20th century, in 1999, that Marie-Anne Couvreu and Henri Meynadier opened the Anatome gallery. For more than 12 years, they have taken up the challenge of promoting and bringing to life the diversity of graphic design. For a long time, Paris did not have a specific space for exhibiting graphic design. It was not until the turn of the 20th century, in 1999, that Marie-Anne Couvreu and Henri Meynadier opened the Anatome gallery. For more than 12 years, they have taken up the challenge of promoting and bringing to life the diversity of graphic design.
